(r ) evolution 34 oil and collage on wood panel This artwork is part of

This artwork is part of the series "A Painting A Day"

By adhering to the practice of applying only one layer per day

Hallard constructs monochromatic and semi-monochromatic images of recognizable geometric forms such as squares and rectangles on paper and aluminum

Richard Caldicott drawings have a minimal esthetic

which “enables invisible white light to be decomposed into seven primary colors

(r ) evolution 34 oil and collage on wood panel This artwork is part ofThis painting is part of a series titled (r)evolution made between 2014 and 2015. It is the second iteration of a series of dot paintings begun in 2006. This process based series was inspired by Adams ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England