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Auto-Photo: A Life in Portraits Real Review as she interrogates the boundedness

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Description

as she interrogates the boundedness of the self

Broken Relations: Infrastructure

The Trail of the Serpent combines photography

Comprising lo-res

Seiichi Furuya’s Dresden photographs from 1984/85 are a most unlikely document — a view of daily life in the latter days of the GDR recorded by a Japanese photographer

Auto-Photo: A Life in Portraits Real Review as she interrogates the boundednessVery little about the photobooth experience has changed since its inception in the early twentieth century. There is a particular charm to its inherent simplicity and repetition. The framing is fixed, as is the lighting, backdrop, and time between photographs. Only we, the subject, are the ones that change. Co published by Perimeter Editions and the Centre for Contemporary Photography, Auto Photo: A Life in Portraits tells the story of Alan Adler, a

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