Marcel Broodthaers - Walker Art Center / Rizzoli 1989 theorie the coherence of the subject

the coherence of the subject is accompanied by a palette of forms

1936) is a Belgian sculptor

Werke aus der Sammlung Schürmann

and language are used to define

mass consumption and mystical idolatry in a visually poetical way that combines absurd cleverness with technological motorised skills

Marcel Broodthaers - Walker Art Center / Rizzoli 1989 theorie the coherence of the subjectEssential Broodthaers's catalogue published in conjunction with exhibition held at Walker Art Center, Minneapolis, April 9 June 18, 1989, which traveled to the Museum of Contemporary Art, Los Angeles; Museum of Art, Carnegie Institute, Pittsburgh; and Palais des Beaux Arts, Brussels. Introduction by Marge Goldwater. Essays by Michael Compton, Douglas Crimp, Bruce Jenkins and Martin Mosebach. Includes bibliography, filmography, selected exhibition